Variations sur les passions humaines
Cie Mossoux-Bonté
13 – 17.10.2026
Variations sur les passions humaines
Cie Mossoux-Bonté
Cie Mossoux-Bonté
- Creation
- Dance
- Visual theater
If beings from the farthest reaches of the solar system were to land on our planet, how would they go about making contact with us? Cie Mossoux-Bonté takes us on a fictional journey in which five visitors attempt to become human.
Co presented with Charleroi danse
© Patrick Bonté
Practical information
Grande salle
From 15 years old
Distribution
Concept Patrick Bonté
Direction and choreography Patrick Bonté in collaboration with Nicole Mossoux
Performance Marion Bosetti, Dorian Chavez, Taylor Lecoq, Frauke Mariën and Shantala Pèpe
Assistant director Magda Skoupra
Sound design Thomas Turine
Set design Simon Siegmann
Construction Mikha Wajnrych
Costumes Jackye Fauconnier
Sewing Lucie Burton and Laure Norrenberg
Special effects and make-up Rebecca Florès-Martinez
Lighting Patrick Bonté
Technical direction and lighting stage management Léopold De Nève
Sound stage management Boris Cevedka
Direction and choreography Patrick Bonté in collaboration with Nicole Mossoux
Performance Marion Bosetti, Dorian Chavez, Taylor Lecoq, Frauke Mariën and Shantala Pèpe
Assistant director Magda Skoupra
Sound design Thomas Turine
Set design Simon Siegmann
Construction Mikha Wajnrych
Costumes Jackye Fauconnier
Sewing Lucie Burton and Laure Norrenberg
Special effects and make-up Rebecca Florès-Martinez
Lighting Patrick Bonté
Technical direction and lighting stage management Léopold De Nève
Sound stage management Boris Cevedka
Credits
A production by the Compagnie Mossoux-Bonté | In co-production with Théâtre Les Tanneurs, Charleroi danse – centre chorégraphique de Wallonie-Bruxelles, Central La Louvière and Escher Theater – Esch-sur-Alzette | With the support of Taxshelter.be, ING, the Belgian Federal Government Tax Shelter, the Fédération Wallonie-Bruxelles, Dance Department, and Wallonie-Bruxelles International
Accessibility
The performance is naturally accessible to people with hearing impairments, as there is no spoken text and music plays little or no role in understanding the story.
Professionals