The Making of Pinocchio
Cade & MacAskill
- Theater
The Cade & MacAskill company tell a story of love and transformation through the story of Pinocchio, the wooden puppet who dreams of becoming a ‘real’ little boy. In their mockcreative laboratory, the duo uses elements of the popular tale to explore the challenges and transformations that they themselves have undergone.
As part of the Semaine des Handicaps, organised by the Brussels City Council’s Equal Opportunities Department, a number of measures will be put in place to make shows accessible from 29 November to 6 December.
All performances of The Making of Pinocchio are designed as Relax performances. The usual rules will be relaxed to allow everyone to experience the event in their own way.
GREAT BRITAIN
Grande salle
From 16 years old
In English with French and English surtitles
Commissioned by Fierce Festival, Kampnagel, Tramway & Viernulvier with support from Attenborough Centre for the Creative Arts, Battersea Arts Centre, LIFT and Take Me Somewhere
Produced by Artsadmin
Funded by Creative Scotland, Arts Council England and Rudolf Augstein Stiftung with development support from The Work Room/Diane Torr Bursary, Scottish Sculpture Workshop, National Theatre of Scotland, Live Art Development Agency, Gessnerallee, Mousonturm, Forest Fringe, West Kowloon Cultural District and LGBT Health & Wellbeing Scotland
Created by Rosana Cade and Ivor MacAskill
Performed by Rosana Cade, Ivor MacAskill, Jo Hellier and Tim Spooner
Set, prop and costume designer Tim Spooner
Sound designer Yas Clarke
Sound/AV technician and show operator Riwa Saab
Cameras Jo Hellier
Lighting designer Jo Palmer
Relighter Meghan Hodgson
Cinematographer Kirstin McMahon et Jo Hellier
Produced by Dr. Nora Laraki for Artsadmin
Creation produced by Mary Osborn for Artsadmin
Production manager Sorcha Stott-Strzala and Anna Smith
Company manager An* Neely
Outside eye Nic Green
Movement advisor Eleanor Perry
Captioning Collective TexT, Rosana Cade, Ivor MacAskill and Jamie Rea
Caption design Yas Clarke and Daniel Hughes
© Tiu Makkonen