KFDA : The Heart of Darkness

Apart from the interview as a performative and solid form of self-presentation, Bianchi enters a more vulnerable register and the softness of a shared moment at night. Host and guest in armchairs with an audience gathered around, for a series of talks that lasts only one season and three episodes.

Literature and poetry are central fields of research in Carolina Bianchi’s work. In her previous play, The Brotherhood (Kunstenfestivaldesarts 2025), she first introduces herself as an author, then as a director, and occasionally as a performer. Across her creations—marked by a thorough exploration of theatrical form—she remains in constant dialogue with writers: Dante’s journey from Inferno to Paradiso, Sarah Kane, Emily Dickinson, and T.S. Eliot, who viewed theatre as “the ideal medium for poetry”. Conversation with other artists has become a core element of her practice, a way to reveal the ongoing processes of contamination that shape each voice.

Presented as part of the Kunstenfestivaldesarts.